
creatures’ existence is embraced within God’s existence. He emphasizes that there is no al-Wujûd (existence) but Allah’s. This article finds that dualism in unity to reach maʻrifah in Kiai Asrori’s perspective rests in his conception about God through what so-called al-Ah}ad and al-Wâḥid as well as al-Wujûd and al-Kawn. The article reveals the concept of dualism in unity along with maʻrifah in KH.

However, most of the scholars until now have questioned the existence of wahdatul View full-text In fact, this Wahdatul Wujud can only be understood by feeling and revealing the unseen. If we can understand the Seven Dignity, then we are united with God, which is what is called Wahdatul Wujud according to Syamsuddin asSumatrani. But according to Syamsuddin asSumatrani Wahdatul Wujud is the Dignity of the Seven which consists of Ahadiyah, Wahdah, Wahidiyah, Spirit Realms, Mitsal Realms, Ajsam Nature and Human Nature. Wahdatul Wujud is a concept to achieve our closeness to Allah SWT. understand this, he coined the concept of Wahdatul Wujud which is called the Dignity of Seven. Syamsuddin Asy-Syumatrani, the leading Sufi Ulama Sheikh who has influenced and developed Islamic intellectuality and spirituality in Aceh in the 16-17th century AD Wahdatul Wujud according to Syamsuddin Asy-Syumatrani is a teaching in philosophical Sufism, which explains that there is only one absolute form, namely Allah, while nature and humans are tajalli or madhar of Allah's nature. Pengaruh Israiliyat, telah diolah dan diterima secara sistematik menjadi teras akal budi dan sebati. Hasil kajian mendapati bahawa berlaku pertindihan nilai makna berganda daripada laras falsafah Pythagoras, tasawuf, Hindu-Buddha, Kabbala, animisme dan Makna unsur ini menerusi pelbagai perspektif budaya yang pernah mendiami budaya Melayu.


Bagi mengimbangi pengaruh konsep mistik sinkritisime dalam meterial kesenian tradisi secara ilmiah, maka pengkaji turut melihat pengertian Setiap kerangka asas segi empat yang menjadi struktur pengukuhan komponen visual dicerakinkan dalam galur ilmu pengetahuan bersifat langka. Sistem tanda dan makna pada elemen ini diinterpretasi menerusi kaedah teoritikal daripada kerangka Semiotik Model Inderalogi. Simpanan Pusat Kebangsaan Manuskrip Melayu, Perpustakaan Negara Malaysia. Ini akan melibatkan beberapa struktur asas segi empat dalam amalan menterjemahkan imejan visual, khususnya kesan ilusi optikal yang terdapat ilustrasi visual tanda bab dan wafak yang terdapat dalam manuskrip “Pelaga Lembu” dari Kelantan-Patani, Amalan yang bercampur baur dan merentas budaya ini dimanifestasikan dalam setiap disiplin ilmu melalui sistem tanda visual yang telah lama wujud sehingga menimbulkan kekeliruan antara yang benar dan batil. Dimensi kesenian tradisi alam Melayu terkenal dengan kepelbagaian unsur kepercayaan mistik sinkritisme, sekali gus mencerminkan wajah pemikiran akal budaya masyarakat
